The first time my name appeared in print, it felt like catching the attention of a wildly charismatic stranger across a crowded bar—a mix of adrenaline and disbelief, like, “Are you sure you’re looking at me?” As it turns out, the byline was mine, printed in bold, unmissable Helvetica on the back page of a small arts and culture magazine. I was 22 and had long dreamed of seeing my words out in the wild. What I didn’t expect, though, was how that moment would feel part revelation, part comedy of errors.


A First Draft as Messy as First Love

Let’s backtrack to the actual writing process, which was about as smooth as a Vegas Bachelor Party itinerary. My editor had assigned me a short feature on a burlesque troupe performing downtown—think tiny sequins, big personalities, and even bigger ambitions. My task? Capture the spirit of their art and its growing influence on the entertainment scene.

Spoiler alert: I tried way too hard.

The first draft read like the over-romanticized opening monologue of a teenage indie film. Everything was a metaphor drenched in adjectives. For example, I described the lead dancer’s feather boa like it was a mythical beast with “plumage alive with tempestuous flair.” Yikes. My editor returned it with red ink scattered across the page like the aftermath of a crime scene, coupled with feedback that was both brutally honest and oddly reassuring: "Less ‘poetic drama,’ more truth, please."

It was humbling, but humbling moments have a way of teaching us how to start again—with fewer grand illusions and a lot more honesty. Much like that time I realized charm alone won’t save a bad first date, I figured out that earnestness can’t mask your flaws as a writer either. You’ve got to let the truth, and not just the glitter, speak.


Lessons From the Limelight (and the Dance Floor)

What fascinated me about the burlesque performers was how unapologetically they owned their space—a lesson I return to when I’m feeling intimidated, whether it’s pitching a big idea or navigating new relationships. Those women weren’t just dancing; they were commanding every bit of light on the stage, shimmying with confidence that practically dared you to look away.

One dancer said something that stuck with me: “The audience doesn’t need perfect. They just need you to mean it.” That single sentence made me rethink how we approach so much in life. Whether you’re writing, loving, or just trying to get through an awkward work presentation, people gravitate toward what’s real.

So, I stripped down the overly dramatic fluff in my piece. (I still really liked “plumage alive with tempestuous flair,” but some darlings have to die.) Instead, I aimed for something more straightforward, more human. I wrote about their boldness, the nights spent rehearsing in garages under bare lightbulbs, the glitter that stuck to them long after the performance ended—stories they shared over flutes of cheap champagne at the local diner. These were women chasing their dreams, in motion and unafraid to make things a little messy along the way. And that version of the story felt true.


The First Glimpse of My Name in Print

The piece ran in a monthly arts magazine that had a modest but loyal following. The day it hit newsstands, I biked to the nearest corner store, breathless like I was rushing to stop someone from boarding a plane in the final act of a romantic comedy. I knew exactly where to look—back page, bottom half, right corner. There it was: my byline sitting smugly above 700 words that I’d rewritten three times and cried over twice (okay, maybe three times).

I don’t know what I was expecting. Fireworks? Champagne falling from the heavens? At first, the moment felt suspiciously anticlimactic—we always romanticize firsts, don’t we? But then it hit me. It wasn’t the flashy byline itself that made me proud; it was the tiny act of leaving a piece of myself for strangers to discover, like tucking a hopeful note into a bottle and setting it adrift.

Kind of like declaring feelings for someone when you’re not sure they’ll say the same back. Vulnerability can feel like tossing your heart into a crowd and hoping it lands somewhere soft. But whether in love or writing, there’s power in risking it all—and then standing tall, feather boa and all, no matter what.


What That First Byline Taught Me About Everything Else

Looking back, my first published piece taught me lessons that extended far beyond the confines of journalism. If you’re wondering how this translates to life (or, let’s be honest, your personal relationships—because isn’t everything secretly about that?), here’s what I’d say:

  • Don’t fake sophistication. Whether it’s writing, dating, or impressing someone in a boardroom, trust me—people can spot inauthenticity from a mile away. There’s no substitute for being genuine.

  • Simpler is often better. You don’t need to write (or say) 10 words when three will do. The date doesn’t need a rooftop proposal level of planning; often, the simplest gestures are the most memorable. Just mean what you say.

  • Be okay with rejection. My first draft wasn’t perfect, and my first attempts at so many other things—falling in love, salsa dancing, parallel parking near the Strip—weren’t either. Imperfection is powerful because it’s evidence that you tried.

  • Own your spotlight. Whether you’re on stage, talking about your work, or even walking into a first date, believe you deserve to be there. People respond to confidence, even when it’s still a work in progress.


A Small Win Can Change Everything

We all start somewhere. For me, it was on that glossy back page, next to a half-page ad for a pawn shop. For you, it might be saying "yes" to something even when fear whispers “no,” or letting your true self show—even when it feels terrifying.

Walking into something new is rarely elegant. You overthink, you stumble, you rewrite (again), and you slowly—but surely—find your footing. That first byline wasn’t my best work, but it was mine. It was a small victory, and sometimes, that’s all you need to keep chasing bigger ones.

So, here’s to your firsts—whether they’re bylines, relationships, or moments of outrageous courage. They won’t always be perfect, but trust me: they’ll always be memorable.